Deﬁnitely cuts off above the elbow joint. Sometimes called a “two-button” for the tight bottom frame cutting off at the chest, roughly where you would see the top two buttons on a shirt. Certainly shows who and may provide generic detail about where (inside or outside, apartment, store, forest, etc.) and when (day or night, season) (Figure 1.11)Ĭhapter One | The Shot and How to Frame It 17įIGURE 1.11 Example of a medium shot. Subject movement may become a concern, as the tighter framing restricts the freedom of gesture-be careful not to break frame (have an actor’s body part touch or move beyond the established edge of the picture frame)Ħ. Human ﬁgure is most prominent in the frame-eyes and the direction they look, clothing, hair color, and style are all plainly visibleĥ. May also be called the “Waist” shot, as the frame cuts off the human ﬁgure just below the waist and just above the wrist if arms are down at the side.Ĥ. Shows more of who than where and may still show when (Figure 1.10) Medium ShotĢ. Human ﬁgure is prominent details in clothing, gender, and facial expressions are visibleĥ. The knee, it is sometimes referred to as the “Cowboy” because in American Western movies there was interest in being able to show the ﬁrearm in the holster strapped to the thigh of a cowboy.Ĥ. Your Shots Should Enhance the Entire StoryįIGURE 1.10 Example of a medium long shot.Know the Rules Before You Break the Rules.Use Short Focal Length Lenses to Hide Camera Movement.During Documentary Shooting Be as Discrete as Possible.Allow All Actions to Complete before Cutting Camera.

Allow the Camera More Time to Record Each Shot.Ways to Cross the 180 Degree Line Safely.Motivate Your Truck In and Truck Out Dolly Moves.Understand When and How to Perform a Zoom during a Shot.Be Aware of Eye-Line Directions in Closer Shots.Try to Always Show Both Eyes of Your Subject.In a Three Person Dialogue Scene, Matching Two Shots Can Be Problematic for the Editor.Use the Depth of Your Film Space to Stage Shots with Several People.Keep Distracting Objects Out of the Shot.Be Aware of the Color Choices Made Throughout Your Project.Shooting Overlapping Action for the Edit.Follow Action with Loose Pan and Tilt Tripod Head.Shooting a Big Close-Up or Extreme Close-Up.Basic Character Lighting: Three Point Method.Quantity of Light: Sensitivity and Exposure.The Depth of Film Space-Foreground/Middle Ground/Background.Subjective vs Objective Shooting Styles.Simple Rules for Framing Human Subjects.

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